Caspar Bartholin 1670 - 1673

Editor: This is a print of Caspar Bartholin by Albert Haelwegh, made between 1670 and 1673. The baroque detailing is incredible. I'm struck by the framing of the portrait inside of the oval with the Latin text, but I am not sure about the intention of this choice. How do you interpret this work, and especially, the combination of text and portrait? Curator: This portrait presents an interesting opportunity to consider the construction of historical narratives. It's not just a likeness, but a statement. The baroque style signifies status and power, of course. Given that Caspar Bartholin was a doctor of law, the inclusion of Latin text underscores his intellectual authority. It was a way of creating and solidifying legacy in a time before widespread literacy. Editor: So it’s about solidifying his place in history? Curator: Precisely, and controlling that narrative. Consider the choice of Latin. Who was intended to read this? Was it accessible to all, or only a privileged few? How might the context of 17th-century Denmark, and the power structures inherent in its society, have informed the creation and reception of this image? What do you think about that tension of including text that cannot be read? Editor: That’s a fascinating point. I hadn’t considered how inaccessible the text might be. It makes me think about the power dynamics inherent in knowledge itself. It's like saying "I have knowledge you cannot reach." I suppose, then, that this image can serve to enforce social hierachies, instead of a quest to inspire. Curator: Exactly! And by thinking about these historical contexts and social meanings, we can approach the artwork from a different position. Editor: I'll definitely remember that, thank you.