Jørgen Hansen Høxbrou by Andreas Reinhardt

Jørgen Hansen Høxbrou 1707

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print, engraving

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portrait

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baroque

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print

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historical photography

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portrait reference

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history-painting

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engraving

Dimensions: 231 mm (height) x 152 mm (width) (plademaal)

Curator: Up next we have a rather stately engraving titled "Jørgen Hansen Høxbrou." This portrait, created in 1707, captures a likeness of a notable burgomaster. What strikes you when you look at it? Editor: Immediately, a somber and almost severe stillness washes over me. It feels less like looking *at* a person and more like encountering a formal effigy—frozen, almost. What details bring him to life for you? Curator: Well, for me, it's the sheer density of line and meticulous rendering. See how the engraver has created subtle gradations of light and shadow? The textures—from the crisp lace collar to the soft curl of his wig—are rendered with impressive skill. Also note how the oval framing concentrates the viewer's focus while contributing to the overall impression of Baroque formality. Editor: It’s that formality, though, that feels a bit stifling. I’m searching for a spark, a hint of the individual behind the civic facade, and it's elusive. But it seems the text inscribed at the base adds to this...serious...tone? Curator: The inscription, with its solemn reflections, indeed reinforces that tone. Yet consider the role such images played at the time. It’s less about a casual snapshot of a personality than it is about constructing a public image—projecting authority, respectability, even immortality. That coat of arms, that surrounding Latin inscription... It all layers meaning. Editor: A constructed immortality, perhaps? It makes me think about how we ourselves are presented and represented. Maybe what feels cold and distant here has more to do with the layers we unconsciously shed for posterity than some frozen-faced facade of the time. I’ll leave wondering about who Hpxobrou really was… Curator: Precisely! It prompts consideration of what gets recorded and remembered. It leaves me thinking about what endures, despite, and perhaps because of, that crafted public image.

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