Painted Glass c. 1937

Curator: "Painted Glass," circa 1937, by James McLellan, rendered in watercolor, ink, and graphite on paper. I'm immediately struck by its dynamic curves and Art Nouveau aesthetic. Editor: It's got that 30's swing vibe! It makes me want to put on a flapper dress and sip something bubbly! Curator: Note how the curved format, divided as it is into three sections, accentuates the stylised flora. Each floral arrangement, while symmetrical within itself, contributes to an overall sense of asymmetrical balance, and rhythm. Editor: Right! And the colour palette – that muted coral, the aged gold – feels almost… bittersweet, like faded glamour. And look how those greyed-out flowers kind of droop? Maybe it’s McLellan playing with decay versus beauty. Curator: Precisely. One could see McLellan’s intention to evoke a melancholic atmosphere. Also, examine the formal contrasts. The hard, geometrical black outlines that form the panels create tension with the organic forms within. McLellan utilises those heavy lines to guide the viewer’s gaze. Editor: See, I read that tension differently! I see the bold lines almost framing the softness inside. Like… resilience! And those plump buds just waiting to burst! It isn't so somber to me, really. What was his headspace during those times? Curator: Indeed. McLellan’s biography suggests this work stems from his exploration of design principles at the time and influence from historical stained glass designs, reflected here, notably, by the floral arrangements, as well as a symbolic interplay of constraint and blossoming. Editor: Well, wherever he was going with it, I think “Painted Glass” serves up a gorgeous little drama, framed in watercolour! A hint of decay and fresh possibility. It seems like his vision of modern vintage still makes you pause, still makes you dream. Curator: A very fitting point to wrap up! It demonstrates the potency of a work that continues to evolve in our minds even as it carries with it a certain material essence!