A Murder of Crows 

Editor: So, this captivating oil painting is titled "A Murder of Crows," by Scott Gustafson. I’m immediately struck by the almost theatrical quality—the dark, muted palette and those anthropomorphic crows dressed to the nines create a kind of shadowy narrative scene. What kind of story do you think is unfolding here? Curator: Ah, isn't it marvelous? It’s the kind of piece that whispers tales. The narrative feels plucked straight from a Dickens novel, perhaps? Note the meticulous detail, especially in their feathered costumes – like sartorial ravens convening on some pilfered treasure. To me, the arrangement of the objects feels like the telling of a clandestine operation, wouldn’t you agree? What are these crows planning to do? Editor: That’s a lovely thought! The attention to detail really is amazing, I hadn't thought about Dickens but can totally see it. Perhaps a heist of sorts, based on their serious faces, or, like the name says: are they just up to no good? But, I’m also curious about why *crows*? Is there significance in that specific bird? Curator: Absolutely. Crows have often symbolized ill omens, trickery, or secrets. Yet, they're also intelligent, resourceful creatures. Gustafson might be hinting at human characteristics through the guise of birds. What if they represent the flaws within our society reflected onto this "murder" of crows? Or, a wry social commentary that, let’s face it, might involve shiny things. Editor: So the choice of crows isn't random; it layers meaning onto the whole artwork! The Victorian attire paired with crows gives a sense of mystery. What do you take away from the materials they are handling in the centre? It seems so… deliberate. Curator: Consider the collection itself - ropes, bottles, instruments... they speak of preparation, intention, and possible chaos. Notice the composition: All of their gazes and postures direct us to that messy yet fascinating central heap! But more so, think of it as life’s baggages; perhaps this *murder* will make treasure out of trash. I adore that perspective. Editor: It's amazing how much story can be packed into a single painting. Thanks! Now, when I look at it I see an enchanting tale being told, or rather *untold*, that the viewer is left to contemplate. Curator: Absolutely! And sometimes, the stories we create in our heads are the most rewarding. It’s that kind of piece, a delightful little window to somewhere a touch…other.