The Days of Creation: The Second Day 1870 - 1876

Editor: Burne-Jones' watercolor, "The Days of Creation: The Second Day," depicts ethereal figures cradling orbs. I'm struck by its Pre-Raphaelite beauty, but also its slightly melancholic tone. What underlying stories do you see woven into this image? Curator: The Pre-Raphaelites were deeply interested in medieval symbolism and the Arthurian legends. Here, the figures are shown as androgynous angels, each bearing a sphere representative of the second day of creation, when God separated the waters from the sky. Notice the melancholic expressions? Editor: Yes, they seem burdened. Curator: Precisely. They are not simply celebrating creation, but perhaps also bearing witness to the weight of the division. Consider the psychological impact of separating, of defining boundaries. Does this resonate with you? Editor: I hadn't considered that. So, it's not just about creation, but also about the potential sorrow inherent in defining limits. Curator: Exactly. Burne-Jones invites us to contemplate the complexities and potential consequences embedded within even the most divine acts. Editor: I now see new layers of meaning within this seemingly simple, beautiful image. Thanks!