Just Now 1857

Curator: Daumier's "Just Now" is a lithograph, capturing a scene in what appears to be a carriage. The bold lines and stark contrast immediately give it an urgent, almost frantic energy. What do you think? Editor: The composition definitely feels tense, and I immediately think about class divisions. The visible passengers appear well-off, while the partial view of the coachman evokes a sense of forced labor and the dehumanization inherent in serving the elite. Curator: Yes, there's a palpable tension. Daumier often used caricature to critique the bourgeoisie. The exaggerated features of the passengers can be seen as symbolic representations of their moral failings, perhaps? Editor: Absolutely. And the caption adds another layer. The coachman is damned if he does and damned if he doesn't. It speaks to the impossible expectations placed on marginalized workers, particularly within a capitalist structure. Curator: I find it strangely humorous, though, even with the weighty themes. Daumier's ability to blend satire with social commentary is what makes his work so enduring. Editor: True, there's a dark humor. But ultimately, it's a reminder of the systemic inequalities that continue to echo today. It is always now.