Portret van Herman Ravensberger 1654

This is Steven van Lamsweerde’s engraving of Herman Ravensberger, made around 1618. Ravensberger, at age 52, is framed by an oval border filled with Latin text describing his roles as a professor of theology, among other things. During the 17th century in the Netherlands, portraiture served as an important tool for constructing and communicating social status. For men like Ravensberger, portraits were a way to publicly assert their intellectual and professional achievements. They speak to a very specific kind of masculinity, one deeply rooted in scholarly pursuits and public service. Notice the Latin inscription, which underscores the importance of classical education and intellectual prowess during this time. These portraits also reflect a culture deeply intertwined with the church and religious identity, especially during the Reformation. As we look, consider how images like this solidified the power and prestige of certain figures within Dutch society. How did these carefully constructed images shape the perception of individuals like Ravensberger, and what role did they play in the broader social and political landscape of the time?