Enkedronning Juliane Marie, Frederik V's anden dronning 1776

This is a miniature medallion of Queen Juliane Marie, second Queen consort of King Frederik V of Denmark and Norway, made by Daniel Adzer sometime in the 18th century. The portrait presents us with more than just the likeness of a Queen. Produced within the confines of the Danish court, this medallion speaks to the politics of imagery. The act of portraying Juliane Marie served specific purposes. These included reinforcing royal authority and broadcasting ideals of beauty and status. Juliane Marie’s elaborate hairstyle and clothing operate as visual codes, communicating her high social standing, whilst the choice of the medallion format connects the Danish court with classical traditions. As historians, we consult a range of sources to better understand this object, from court documents to fashion plates. These sources help us to understand the social conditions that shaped its production. By examining its form and context, we can start to understand the complex ways in which art embodies social and institutional power.