Cameo with Alexander the Great by Wedgwood Manufactory

Cameo with Alexander the Great c. late 18th century

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relief, ceramic, glass, sculpture

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portrait

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neoclacissism

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greek-and-roman-art

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relief

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ceramic

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glass

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sculpture

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ceramic

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decorative-art

Dimensions: 5.2 × 4.1 × 1 cm (2 1/16 × 1 5/8 × 3/8 in.)

Copyright: Public Domain

Editor: Here we have a late 18th-century ceramic cameo, made by Wedgwood, depicting Alexander the Great in profile. It’s striking how the crisp white relief pops against what I assume is a darker background. What can you tell me about the historical context of its creation? Curator: This cameo speaks volumes about the late 18th-century fascination with classical antiquity. Neoclassicism was more than just an aesthetic choice; it represented a set of values – order, reason, and virtue – that were seen as antidotes to the perceived excesses of the aristocracy. The figure of Alexander the Great, in particular, embodied the ideal of the enlightened leader, whose image was employed by the aristocracy who at the time began to embrace these ideals. Why do you think they chose to emulate figures like Alexander? Editor: I suppose it’s about associating themselves with those ideals you mentioned – a deliberate visual message about their own ambitions or character, a form of propaganda if you like. Curator: Precisely! Think about how powerful figures use art today to cultivate a certain image. It reflects not just their taste, but also their political and social aspirations. The production of cameos like these was incredibly popular because it was more easily reproduced and distributed than one-off artworks. Does knowing this change your initial reading of the piece at all? Editor: It does make me wonder about the intentions of those commissioning these works. Was it purely aesthetic, or were they consciously trying to align themselves with the perceived grandeur of ancient rulers, influencing how they were viewed by society? Curator: A very good question! And one that demonstrates how art isn't created in a vacuum, but rather, interacts dynamically with society. Hopefully next time you see an artwork you will be looking into this as well. Editor: This conversation has certainly broadened my perspective and I will look for a piece that shows the political intention you have highlighted!

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