Self-Portrait with Photo Booth by  Steven Pippin

Self-Portrait with Photo Booth 1987

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Dimensions: image: 1850 x 1067 mm

Copyright: © Steven Pippin | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: This is Steven Pippin’s “Self-Portrait with Photo Booth,” a wonderfully strange image that feels like a dream. Editor: It's stark and surreal. Like something unearthed from a forgotten city archive. Curator: Pippin, born in 1960, often repurposes everyday objects. Here, he's ingeniously used a photo booth to create an outdoor camera. Editor: Right, it subverts our expectations. We think of photo booths as intimate, contained spaces. Here, it's opened onto the city. And the perspective is bizarre. Curator: The scale is disorienting, too. Pippin himself seems almost an afterthought in this grand, slightly gritty urban landscape. Editor: I think it's brilliant how he challenges the notion of a self-portrait. It's not just about capturing a likeness, but about our relationship with the environment and the technology we use to record it. Curator: Exactly! A blurry memory of how we shape our worlds—and how they shape us. Editor: A perfect photo that captures the imperfectness of time.

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tate about 2 months ago

http://www.tate.org.uk/art/artworks/pippin-self-portrait-with-photo-booth-p77900

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tate about 2 months ago

Steven Pippin has made improvised cameras in the most unlikely places. For this work he turned a public photo-booth into a crude pin-hole camera which he used to produce a self-portrait. Pin-hole cameras need lengthy exposures, so Pippin had to stand still outside the booth for quite some time. He recalls how 'standing almost to attention in amongst the normal coming and going of pedestrians became a perplexing ordeal and seemed more problematic than the actual conversion of the booth itself'. Gallery label, August 2004