Reisalbum Nederlands-Indië by Adeline Andrea. du Celliée Muller

Reisalbum Nederlands-Indië 1930 - 1940

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mixed-media, paper, photography, albumen-print

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mixed-media

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paper

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photography

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albumen-print

Dimensions: height 187 mm, width 252 mm, thickness 17 mm, width 443 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Reisalbum Nederlands-Indië," a mixed-media piece incorporating photography and paper, created sometime between 1930 and 1940 by Adeline Andrea du Cellie Muller. I find the album's cover compelling in its textured simplicity; the brown and gray palette exudes a quiet, historical mood. What do you see in this piece from a formalist perspective? Curator: From a purely formal stance, the initial appeal resides in the interplay of textures. Note the smooth, almost austere expanse of the cover juxtaposed with the organic marbling inherent in its making, perhaps evoking aged leather. How does the implied linearity of the binding's cord contribute to the piece's overall structure? Editor: I guess the thin, vertical line of the cord adds a sense of deliberate constraint, opposing the more chaotic pattern of the cover material. It definitely draws the eye, breaking up what might otherwise be a uniform plane. Curator: Precisely. It serves as a structural counterpoint, guiding the viewer's gaze and reinforcing the work's self-contained nature as a deliberate object. Even the circular grommet acts as a contained focal point within the overall visual field. Do you consider its function significant beyond merely securing the cord? Editor: Now that you mention it, the grommet also contributes to that feeling of constraint, or closure. Like, everything is carefully fastened and put together. Curator: Indeed. In its geometric regularity, the grommet provides an ordered contrast to the free-form pattern of the album cover, underscoring the piece’s calculated arrangement of form and texture. Reflecting on this, might you consider the impact such compositional choices have on your interpretation of the whole object? Editor: This exercise helped me to focus on these fundamental aesthetic aspects, such as the textures, which shape its overall feeling and interpretation. I appreciate your help. Curator: And I'm grateful that our conversation elucidated new connections and meanings by concentrating on its physical qualities and structural choices.

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