Flight into Egypt c. 17th century

Editor: Here we have Sebastien Bourdon’s "Flight into Egypt," dating back to the 17th century, held at the Art Institute of Chicago. It's an etching, a print, mostly in cool, grey tones. The composition seems deliberately arranged, almost theatrical, with these classical ruins juxtaposed against what appears to be a vulnerable family fleeing. What is your take on this dramatic scene? Curator: Oh, I find this piece incredibly evocative! Bourdon, with that meticulous etching, really captures the sense of journey, doesn't he? See how the landscape almost dwarfs the holy family. There's this vastness, this sense of the unknown. It whispers to me of vulnerability and hope intertwined. And that architectural element… are those Roman ruins or perhaps an imagined Egyptian landmark? Editor: It’s the mystery, the uncertainty that intrigues me. Does the setting amplify their plight, or offer some glimmer of promise, safety? Curator: Precisely! And it plays with perspective beautifully. We, as viewers, are positioned almost as bystanders. We get this voyeuristic glance into a pivotal moment. Don't you feel it pulling you in? As if you’re also travelling with them? What is particularly interesting is Bourdon's skill with engraving in capturing so many tones in monochromatic etching! He teases drama from shadows. It’s almost a dance. Editor: Absolutely, it is engaging! The whole image feels very delicate and very intentional. It is interesting that although the main theme could be heavy, Bourdon still maintains a soft, dreamy aesthetic. Thank you so much! Curator: My pleasure! Looking closer reveals even more stories, don't you agree? This work has some of the quality of a fable about it! And that’s the joy of art. There is always a chance for new conversations, new connections.