Portret van Lodewijk de Vrome 1642 - 1678

Curator: Ah, this is "Portret van Lodewijk de Vrome", an engraving made sometime between 1642 and 1678, attributed to Nicolas de Larmessin I. It's currently held at the Rijksmuseum. Editor: He looks like he’s seen it all. So much pomp and circumstance crammed into an oval frame, but his eyes… they’re almost apologetic. Is it just me? Curator: It's interesting you pick up on that melancholy. Engravings like this, though seemingly straightforward depictions of power, often had complex social functions. They circulated widely, shaping public perception of historical figures. It’s as much about creating a particular image for posterity as it is about mirroring reality. Editor: Like a medieval PR campaign. I see your point. It's history refracted through layers of political needs and personal ambition. Looking closer, I love the way the engraver contrasts textures – the dense fur of his robes against the crisp, detailed lace. It's a very Baroque flourish. But even with the crown and ermine, he feels oddly vulnerable, hemmed in. Curator: The Baroque period, indeed, loved that kind of theatrical intensity combined with psychological introspection. Consider this piece in the broader context of history painting and the genre of portraiture during the time, when images had more restricted avenues of dissemination and influence. Nicolas de Larmessin had a role in spreading political ideas and historical narratives of this kind through images. Editor: It’s curious how time changes our reception. What might have once been a symbol of absolute authority now strikes me as… a portrait of burdens. All the weight of kingship etched into the lines of his face. What a gorgeous piece to think with! Curator: It does invite reflection on power and its impact, doesn't it? It also allows to see the past as full of individuals. Thanks for giving it such a thoughtful read!