The Tetons, Idaho 1879

Thomas Moran made this watercolor of The Tetons in Idaho, using paper and pigments. Moran’s deft handling of watercolor is evident in the washes of muted blues, browns, and grays, which capture the vastness of the Western landscape. Watercolor, a medium prized for its portability and speed, allowed Moran to create plein air studies. The choice of watercolor reflects its suitability for capturing transient atmospheric effects. The thin layers of pigment allow light to interact with the paper, creating a luminous quality that echoes the natural light of the scene. Its quick application allowed Moran to efficiently capture the essence of the landscape. Consider the social context: Moran's images of the American West contributed to the romanticized vision of the frontier, fueling westward expansion and shaping perceptions of the nation's natural resources. So, while it may be ‘just’ a watercolor, this work participates in a much larger story.