Abklatsch van een krijttekening by Willem Witsen

Abklatsch van een krijttekening c. 1884 - 1887

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drawing, paper, pencil, graphite

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drawing

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impressionism

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landscape

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paper

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coloured pencil

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pencil

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graphite

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mixed medium

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mixed media

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watercolor

Copyright: Rijks Museum: Open Domain

Curator: This drawing, entitled "Abklatsch van een krijttekening," or "Rubbing of a Chalk Drawing," was created by Willem Witsen between 1884 and 1887. Editor: It looks... elusive. Ghostly, almost. A memory fading. The grayscale and the muted texture create an impression that is delicate but incredibly transient. Curator: Indeed, the landscape style hints at Impressionism, and its essence is precisely captured. Note the use of mixed media - graphite, pencil, maybe some watercolour in there, it all comes together beautifully to form this quiet landscape on paper. Editor: The rubbing technique is fascinating, because I sense more the hand that held the chalk, the *feeling* of creating a drawing, rather than the specifics of what was drawn. It's a piece that begs you to interpret beyond what you're directly shown. Curator: That makes complete sense when considering the era it came from. Remember, Impressionism at its heart was about the artists' subjective *impressions*, their personal interpretation of reality. It’s Witsen's sensory world depicted here through simple means. Editor: Looking at this piece, I keep thinking about photography. The work captures what a landscape might look like reflected in some old mirror or the glass of an antique camera lens, so hazy it is difficult to grasp. The overall design has an effect that's oddly nostalgic... Curator: Yes! There's something deeply intimate and revealing, maybe almost autobiographical. With a sense of a bygone age now locked up, not just of place, but the transient feelings linked to memory and representation. It's there, however intangible, which renders it such a deeply thought-provoking artwork. Editor: Definitely an interesting take on a fleeting scene. Makes you wonder what else remains, just below the surface.

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