Aardappelrooiers op een veld by Anton Mauve

Aardappelrooiers op een veld c. 1886 - 1888

0:00
0:00

drawing, plein-air, pencil

# 

drawing

# 

impressionism

# 

plein-air

# 

landscape

# 

pencil

# 

realism

Copyright: Rijks Museum: Open Domain

Editor: Here we have Anton Mauve’s pencil drawing, "Potato Harvesters in a Field," from around 1886 to 1888. The muted tones create quite a melancholic feel, don’t you think? What captures your attention when you look at this piece? Curator: I’m immediately struck by the explicit evidence of labor. Look at the density of the pencil strokes in the foreground, miming the backbreaking work itself. The roughness isn’t just aesthetic, it’s performative. Think about the economic realities of the time – rural labor, land ownership, the rise of industrial agriculture. What was the social status of the potato harvesters and the production context? Editor: I hadn't considered the labor aspect so directly, more just the overall rural impression. So you're seeing the *drawing* as itself, mirroring that hard labor? Curator: Precisely. Mauve wasn’t just depicting a landscape; he was engaging with the materiality of labor through his *own* artistic labor. Consider also how this seemingly simple drawing might relate to debates about high art versus craft, questioning traditional boundaries and raising the profile, celebrating the working class. Editor: That's fascinating, and I hadn't really noticed the implications in the density of marks making up the land, it's almost like each one represents physical work. Do you think it's deliberately trying to convey respect for manual labour? Curator: It prompts the question, doesn't it? Is it romanticizing rural work, or simply acknowledging its fundamental role in the cycle of production? Maybe Mauve is asking *us* to question our relationship to the sources of our sustenance. And even reflect upon who creates those objects we see as art and how much labor they pour in the artistic process. Editor: I’m beginning to appreciate how much the artist can suggest simply by revealing the production of this "realist" drawing. I was caught by its simplicity at first. Curator: Exactly! We have come full circle from romantic melancholia, revealing labour as an integral and explicit artistic value!

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.