Sketch of a Seated Man; verso: Sketch of a Standing Man 19th-20th century

Curator: William Valentine Schevill's "Sketch of a Seated Man," part of the Harvard Art Museums collection, presents us with a young figure rendered in pencil. Editor: My first impression is one of quiet contemplation. The sitter, though formally dressed, seems pensive, almost vulnerable. Curator: Consider the symbolic weight of posture. The crossed legs, the hand tucked into his pocket, the hat held loosely—each signals a negotiation of power and performance. What norms is he adhering to, and which is he subtly subverting? Editor: Yes, I see a deliberate choice in his casual yet proper presentation. His outfit indicates conformity, but his relaxed pose hints at a modern ease— perhaps a visual representation of shifting societal expectations? Curator: Precisely. Schevill's sketch becomes a rich site for exploring evolving notions of masculinity and class. Editor: It’s compelling how a simple image can hold such nuanced stories. Curator: Indeed, and further deconstruction is possible when viewing the sketch of a man standing on the reverse side.