drawing, pencil
portrait
pencil drawn
drawing
neoclacissism
pencil sketch
figuration
pencil drawing
pencil
portrait drawing
genre-painting
Dimensions: height 320 mm, width 276 mm
Copyright: Rijks Museum: Open Domain
Curator: Looking at this, the sitter seems incredibly self-contained, doesn’t he? Editor: He really does. There's something wonderfully still and composed about the scene, yet, to me, it also feels quite ordinary and intimate, like a momentary glimpse of the every-day. Curator: Precisely! This captivating pencil drawing, entitled “Zittende, pijp rokende heer,” or “Seated Gentleman Smoking a Pipe,” is attributed to Jordanus Hoorn, and we believe it originates from around 1776. Notice how Hoorn, a master of the Neoclassical style, evokes an air of simplicity while capturing every detail. Editor: The pipe itself, though! It’s almost like a symbolic scepter in his hand. What kind of man do you think Jordanus Hoorn wanted us to think this sitter was? Because, of course, a pipe is not just a pipe in a portrait. Curator: You’re right. The pipe certainly held symbolic weight. Tobacco use, already common at the time, might imply worldly experience or contemplation, perhaps even wealth, since tobacco wasn't exactly cheap. But, given the somewhat plain clothes and simple background, I see the pipe more as a symbol of quiet enjoyment and private reflection. He doesn’t strike me as someone who feels the need to show off. It looks like an indulgence just for the pleasure of indulging, doesn’t it? Editor: Indeed. I was focusing perhaps a bit too much on its potential connection to, say, similar works where smoking also had overtones of vanitas—the fleeting nature of life and earthly pleasures, or even moral laxity. But Hoorn here is interested in other layers of meaning, no? Look at the careful treatment of fabric, for instance. Even in a relatively simple composition, the clothing subtly points at his class, status, and occupation, but rendered without pomp. It gives this unassuming man a tangible presence and sense of gravity. Curator: A delicate balance of light and shadow also contributes a sense of the sitter’s internal state, I think. And the chair is really cool. Woven seating. What a way to communicate something elemental and tactile! It suggests something sturdy and enduring despite the fleeting act of enjoying a smoke. Editor: Overall, Hoorn encourages us to discover depth and narrative even in the quotidian—something of which we would do well to be reminded even now. Curator: Yes. The drawing is small in scale and quiet in tone, and yet manages to evoke a life, a period, a whole attitude toward the world with an eloquent subtlety.
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