Copyright: National Gallery of Art: CC0 1.0
Daniel Mignot created this title page for a large pendant in 1593, using etching. This printing technique involves coating a metal plate with wax, scratching an image into it, and then submerging the plate in acid. The acid bites into the exposed metal, creating grooves that hold ink. The material of the plate itself – likely copper or iron – allows for incredibly fine lines, as you can see in the intricate details of the animals and foliage. The crispness of the etched line gives the image a jewel-like quality, appropriate for a design intended for precious metalwork. Consider the labor involved. First, the skilled hand of the etcher, precisely rendering the design. Then, the work of the printmaker, carefully inking the plate and pulling each impression. Finally, the goldsmith who would translate this two-dimensional image into a three-dimensional object. This print reminds us that even luxury objects are the product of collective labor and expertise.
Be the first to comment and join the conversation on the ultimate creative platform.