print, engraving
mannerism
figuration
11_renaissance
line
history-painting
engraving
Copyright: National Gallery of Art: CC0 1.0
This is a design for a large pendant featuring Charity standing at the center, made by Daniel Mignot in the early 17th century. During this period, the concept of 'charity' was deeply entwined with religious and societal expectations, especially concerning women. Mignot's pendant presents an allegorical figure of Charity, who is traditionally depicted as a woman surrounded by children, embodying love and compassion. However, this representation also highlights the era's emphasis on women's roles as nurturers and caregivers. The pendant, with its ornamental details, was likely intended for a wealthy patron, reinforcing class divisions and the commodification of virtues. The choice of Charity as the central theme invites reflection on how society defines and values certain virtues, and how these values intersect with gender and class. This piece prompts us to consider the complex interplay between personal expression and societal norms.
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