Dimensions: support: 305 x 222 mm
Copyright: The Work of Naum Gabo © Nina & Graham Williams/Tate, London 2014 | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This pencil sketch, by Naum Gabo, part of the Tate collection, presents an intriguing exploration of form. I see echoes of Constructivism in its geometric severity. Editor: I'm immediately struck by its stark, almost otherworldly quality. It feels like an alien blueprint. Is it a machine? A monument? Curator: The circle, the cube... these archetypal forms resonate deeply. They're like building blocks of existence, suggesting an underlying cosmic order. Editor: Perhaps it’s an attempt to reconcile those fundamental shapes, to understand their tension. There's a beautiful fragility in the medium, too. It’s just pencil on paper, yet it evokes grand ideas. Curator: Gabo sought to express space and time in new ways. This sketch, though simple, embodies that quest, its lines reaching beyond the page itself. Editor: It leaves me pondering the nature of creation, doesn't it? How simple gestures can point to something infinitely complex.
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These sketches are for works both realised and unrealised. Sketch (1917) is reminiscent of several reliefs made in the 1920s, and has been compared to Gabo's 1925 Model for 'Rotating Fountain' (on display here). Sketch (1918-19) is for a relief that would have been composed of intersecting planes protruding from a wall or reaching across a corner. Gabo's aim to make a public art that could play a role in the new society promised by the Russian Revolution is reflected by First Sketch for a Monument¿(1919) Sketch for a Kinetic Construction (1922) demonstrates his radical introduction of real movement to articulate space. Gallery label, August 2004