Vlakdecoratie met boer op het land by Georg Leopold Hertel

Vlakdecoratie met boer op het land 1750 - 1770

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print, engraving

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baroque

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pen drawing

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print

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old engraving style

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landscape

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form

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pen-ink sketch

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line

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pen work

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sketchbook drawing

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genre-painting

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sketchbook art

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engraving

Dimensions: height 237 mm, width 178 mm

Copyright: Rijks Museum: Open Domain

Curator: This engraving, known as "Vlakdecoratie met boer op het land," which translates to "Panel Decoration with Farmer in the Field," dates back to 1750-1770. It’s currently held in the collection of the Rijksmuseum. The artist associated with this print is Georg Leopold Hertel. Editor: It's strikingly balanced! There’s almost a rigorous symmetry that makes it both calming and curiously artificial. Curator: Precisely! What strikes me most is the way Hertel combines rustic, agricultural motifs with the formality of Baroque design. The crossed tools beneath the bucolic vignette speak directly to the labor inherent to this ideal rural existence. Editor: The rose wreath and pastoral image are perfectly offset, but there is an intrinsic dichotomy. Notice the intricate looping framework, its lines both define and constrict, even stifle, the scene. Curator: A valuable observation. I believe Hertel comments here on the artificiality that elite patrons desired. The print functions as a blueprint to legitimize agrarian romanticism, but it could be further viewed through labor; manual creation facilitated in turn the glorification of other, physical efforts within these rural tableaus. The act of its creation adds to the romanticization by representing an economic cycle. Editor: Absolutely, and that very structure implies control and a desire to contain the 'natural' within defined limits. Also the use of engraving is very calculated and effective. Notice how Hertel employs the subtle tonality, which he skillfully achieves using varied linework, creating depth and form within an essentially monochrome medium. It lends the overall design sophistication. Curator: Its form mimics wealth through perceived labor. This piece really highlights how Baroque artists manipulated perception of work and leisure to both critique and idealize contemporary societal values. Editor: For me, revisiting this design clarifies how art and ornament engage to create visual structures of the ideal lifestyle and what materials create an era of idealized production. Curator: A worthwhile design and worthwhile perspective. Thanks!

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