Woman Wearing Black Hood c. 1766 - 1767

Suzuki Harunobu created this woodblock print, *Woman Wearing Black Hood*, sometime in the mid-18th century. The artwork is characterized by muted tones and an emphasis on line and form, giving it a serene yet somewhat enigmatic quality. Notice how Harunobu uses a limited palette, primarily soft grays, creams, and blacks, to create a sense of harmony. The composition is dominated by vertical lines, reinforcing the figure's elegant posture. The black hood and flowing robes create a strong contrast against the neutral background, drawing the eye to the figure's face. This print reflects the aesthetic principles of *ukiyo-e*, which often celebrates the beauty and transience of everyday life. Yet, the woman's covered head destabilizes expectations by obscuring her identity and suggesting a hidden narrative, prompting us to consider the underlying social and cultural codes that govern representation and perception. Consider the interplay between concealment and revelation, and how Harunobu invites ongoing interpretation.