Hear no Evil, from the series See no Evil, Speak no Evil and Hear no Evil 

Editor: Here we have Keisai Eisen’s "Hear no Evil," part of a series. It's a Japanese woodblock print. The figures seem caught in a moment, and the composition feels very balanced. What do you see in its structure? Curator: The organization of forms adheres to a sophisticated understanding of spatial relationships. Note the dynamic interplay between the figures and the landscape, the positioning of the figures, and the placement of text. These elements create a cohesive visual experience. Editor: The kites in the background, are they just for decoration? Curator: Observe how the kites serve as compositional devices, leading the eye upwards and providing a sense of depth. What is your understanding of their lines and their relationship with the calligraphy above? Editor: So, they're not just kites; they're part of the formal arrangement. I see now! Thank you. Curator: Indeed. Careful attention to detail reveals intricate layers of meaning and intention.