Yōrō kōshi (Jikkunshō), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijÅ«shikō), with poems by Chiyonoya Matsufuru and Umenoya Tsuruko by Yashima Gakutei 屋島岳亭

Yōrō kōshi (Jikkunshō), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijÅ«shikō), with poems by Chiyonoya Matsufuru and Umenoya Tsuruko c. 1821 - 1822

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Dimensions: Paper: H. 20.9 cm x W. 18.0 cm (8 1/4 x 7 1/16 in.)

Copyright: CC0 1.0

Editor: This print by Yashima Gakutei, titled "Yōrō kōshi," depicts a man next to a stream. The colours are quite muted and peaceful, but what strikes me is how the water seems to glow. What significance do you see in this image? Curator: Notice how the artist positions the figure near the water source and textual elements. Water is often a symbol of purity and renewal, closely tied to filial piety, and here it links directly to the story's moral lesson. What enduring messages do these visual symbols convey? Editor: So it's about more than just a nice picture; it's about conveying cultural values through recognizable images. I hadn't considered the cultural memory embedded in the water. Curator: Precisely. The artist uses familiar imagery to evoke deeper cultural understanding of respect and tradition, creating a lasting visual narrative.

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