Still Life 1934

Yiannis Moralis made this oil painting called ‘Still Life,’ and it’s like he's captured a little world right there on that round table. It's all about the textures – the thick, creamy paint he used makes you want to reach out and touch it. The way Moralis handles the surface is interesting, because it’s neither super smooth nor overly rough. It's this in-between state, which gives the whole scene a dreamy, kind of soft-focus feel. Take a closer look at how he's rendered the tablecloth, with all those tiny, visible brushstrokes. It's so simple, but so effective in creating the illusion of folds and drapes. It's a bit like some of Giorgio Morandi's paintings, but maybe with a touch more warmth. Both artists share this love for humble, everyday objects, but they see them in their own unique ways. It's a reminder that art is always a conversation, with each artist responding to what came before, while adding their own voice to the mix.