Miniature from a Book of Hours with Virgin and Christ Child by Attributed to Jean Poyer and his workshop

Miniature from a Book of Hours with Virgin and Christ Child c. 1490 - 1500

0:00
0:00

tempera

# 

portrait

# 

medieval

# 

tempera

# 

figuration

# 

international-gothic

# 

early-renaissance

# 

miniature

Dimensions: 7 3/16 x 5 1/8 in. (18.26 x 13.02 cm) (irregular)19 3/4 x 15 3/4 x 1 1/8 in. (50.17 x 40.01 x 2.86 cm) (outer frame)

Copyright: Public Domain

This miniature of the Virgin and Christ Child was made in France around 1480, attributed to Jean Poyer and his workshop. The work is from a Book of Hours, a type of prayer book popular among wealthy laypeople in the late Middle Ages. Here, the Virgin Mary is depicted holding the Christ Child, surrounded by angels playing musical instruments. Mary is shown as the Queen of Heaven through the use of expensive ultramarine pigment in her robe. The inclusion of angels, the gold background, and the intimacy of mother and child all work to evoke a sense of divine grace. Such Books of Hours speak to the growing literacy and private devotion of the late 15th century, as well as the commercialization of religious imagery. By studying such artefacts, we can learn about the religious beliefs, social customs, and economic practices of the time. The history of art is the history of how people made meaning through images.

Show more

Comments

minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

One of the earliest drawings to enter the museum’s collection, this miniature was long ago cut from a prayer book illuminated by the Loire Valley artist Jean Poyer and his workshop. The celestial musicians—playing lute, cornamuse, and rebec—indicate that the image likely accompanied a popular prayer to the Virgin, the Obsecro te (I beseech thee). The beholder of this image was meant to visualize Mary’s love for her infant son, symbolized by the carnation she holds, and also the grief she would endure at his Passion, implied in her sorrowful expression. The artist added intimacy by making Mary disproportionately large and depicting her seated on a cushion, the pose of the Madonna of Humility. He created the effect of a panel painting by giving this tiny work a thin, illusionistic gold frame.

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.