Vrouw met een kind gekleed als kapucijner monnik by Johann Ziegler

Vrouw met een kind gekleed als kapucijner monnik c. 1860

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Dimensions: height 138 mm, width 81 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have "Woman with a child dressed as a Capuchin monk" dating back to around 1860, created by Johann Ziegler. What are your initial impressions? Editor: It feels subtly subversive, actually. The scale is quite domestic—a mother and child—but there’s this element of gentle rebellion in the child's attire. Curator: The Capuchin order, known for its strict adherence to poverty and simplicity, makes the child's garb quite intriguing, doesn't it? To dress a child in this way… there has to be more than meets the eye. Is it simply role-playing, or something deeper? Editor: Exactly! What statement is being made here about childhood, perhaps, or the expectations placed upon us? Ziegler sets up an interesting tension through the contrast: a child playing an adult, specifically a renunciant monk. Curator: And we mustn’t forget that in this historical context, religious orders and their imagery often carried significant social weight. Depicting a child in this attire perhaps invokes the piety, but also the power, associated with the clergy. It asks us to re-examine those virtues from an unexpected vantage point. Editor: It's also striking to consider the woman in the piece. She appears calm, almost gently guiding the child's little "performance." How much is her role active versus permissive? Is it gentle encouragement, or a comment on the religious norms and traditions of her time? Curator: We often think of religious images imposing narratives of power from above, so what meaning could be found if someone decides to depict a mundane everyday activity—a woman with child—yet insert religious symbols in a humorous or uncanny fashion? Editor: It really challenges us to look beyond the surface piety. Ziegler's work, it seems, operates in those liminal spaces between childhood innocence and social commentary. The deliberate staging points at much larger, unstated ideas about tradition, performance and identity. Curator: An odd, yet fascinating image! It seems Ziegler gave us much more than what at first glance might appear. Editor: Indeed, a small moment hinting at profound cultural themes. It leaves you wondering, doesn't it?

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