Portret van Jan zonder Vrees, hertog van Bourgondië 1748

Editor: Here we have a portrait from 1748, by Jan Punt, titled "Portret van Jan zonder Vrees, hertog van Bourgondië"—or "Portrait of John the Fearless, Duke of Burgundy". It’s a print, and I’m struck by how much detail the artist achieved with just line work. What stands out to you about this engraving? Curator: As a materialist, I’m drawn to consider the engraving process itself. Think of the labour involved: the meticulous cutting of lines into the metal plate, the printing process on paper... and the context it provides. This wasn’t just about making an image; it was about producing multiples, distributing an idea of power through a reproducible format accessible beyond painted portraiture. Consider who controlled these modes of production, these printing workshops. What political agenda did their materials serve? Editor: That’s a really interesting way to look at it. I tend to focus on the Duke himself, on how he’s portrayed and what the symbols might mean. But you are right, the *making* of the image speaks volumes about cultural dissemination. Curator: Exactly. Look at the quality of the paper, likely rag paper, then a valued commodity! Consider too the skills involved in engraving; skills passed down through guilds. The level of artistry elevated it from simple reproduction to something valued in its own right. So it’s more than just a portrait; it’s a material record of early modern social and political power. It makes one question notions of originality, high versus low art, doesn't it? Editor: Absolutely. I hadn't really considered how the materials themselves can tell a story about power and class. I'm going to keep an eye on the media used, beyond the face of the subject from now on. Curator: Glad I could offer some perspective, paying attention to these material details really helps me unpack assumptions!