Aanvang van het jaar 1751 by Johan George Holtzhey

Aanvang van het jaar 1751 1751

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metal, relief, sculpture

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portrait

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allegory

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baroque

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metal

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sculpture

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relief

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sculpture

Dimensions: diameter 2.6 cm, weight 4.66 gr

Copyright: Rijks Museum: Open Domain

Curator: Okay, let's delve into this coin, titled "Aanvang van het jaar 1751," which translates to "Beginning of the Year 1751." Johan George Holtzhey crafted this metal relief back in 1751, and it's currently part of the Rijksmuseum collection. Editor: My first thought is, this thing is packed! There's a story being told here, but it’s like trying to read a novel on the head of a pin. All that detail on something so small, I find that kind of delightful. Curator: It absolutely is, and considering the context of its creation, such imagery carries significant weight. Coins such as this often served purposes beyond mere currency, acting as commemorative objects and powerful symbolic gestures in Baroque societies. This particular one seems to encapsulate complex political, social, and economic values for that time. Editor: Definitely picking up the Baroque vibe, you know? Dramatic, symbolic, a little bit over-the-top in the best possible way. And is that… allegory? I think I see an allegorical figure or two. Curator: Indeed! On one side, you have an allegorical representation of the city itself, Amsterdam. She's depicted as a seated woman, laden with symbolism to project an image of prosperity and rooted strength in commerce, law, and civic pride. This sort of representation bolstered ideologies through visual association and propaganda during the Age of Enlightenment, reminding people of what was truly valued. Editor: It does make me think about what "values" we choose to literally stamp onto our money. I wonder what people a few centuries from now will make of the images we use. The choice of these images almost says more than any political speech ever could. Curator: Exactly, these were visual articulations of power dynamics, ideals and how they saw their identity as a collective. Each character and item meticulously crafted was there to bolster a complex and interlinked narrative that benefited certain social, racial and economic power structures of Dutch society. Editor: I suppose the more things change, the more they stay the same. It’s definitely a stunning work. Tiny, powerful, and surprisingly resonant even centuries later. I have new admiration for currency I hold now. Curator: Agreed. I’m just thinking about how even small, everyday items can reveal so much when we see them through the lens of history and social structure. It's a tangible artifact of a mindset, in monetary form.

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