Zelfportret van Gerard Dou 1720 - 1792

Editor: Here we have Aert Schouman's "Self-Portrait of Gerard Dou," created sometime between 1720 and 1792. It's a drawing using ink and charcoal. I'm immediately drawn to the theatrical framing, like he's an actor on a stage. How do you read this piece? Curator: The theatricality strikes me too, and I immediately think of the socio-political context. Consider how self-portraits functioned within the art market and broader Dutch society at this time. Artists were becoming increasingly aware of their public persona. Think about it; framing himself in what seems to be the artist's workshop almost turns this drawing into an advertisement. Don't you think? Editor: An advertisement? I hadn't thought of that. It felt more…intimate. But I can see how showcasing his workspace is strategic. Almost like a branding exercise. Curator: Precisely. And note the subtle inclusion of figures in the background, seemingly pupils or assistants. This bolsters his image as a master craftsman, the head of a successful studio. Think about how this image could influence patronage or the perception of the artist’s skill. Does that add another layer to the viewing experience? Editor: Definitely. Knowing the context of the art world at that time shifts my perception of the piece entirely. I now see the constructed image of an artist very aware of his brand. Curator: Exactly! The ‘Self-Portrait’ then goes from an image to be simply 'viewed,' into one that is actively 'performing'. Editor: It is so helpful to learn to 'read' art with context. This portrait now opens into so many cultural cues beyond the obvious. Thanks for shedding light on this!