City Hall Park, Figures, Municipal Building in Construction by John Marin

City Hall Park, Figures, Municipal Building in Construction c. 1912

0:00
0:00

Dimensions: overall: 20.5 x 25.4 cm (8 1/16 x 10 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: John Marin created this pencil drawing, "City Hall Park, Figures, Municipal Building in Construction," around 1912. Editor: It feels like a hurried sketch, almost ghostly, capturing the urban scene with such delicate lines. It’s like a memory fading in and out. Curator: Exactly. The emphasis here seems to be on process, that is, on documenting the construction of the Municipal Building—a physical symbol of civic progress and burgeoning municipal bureaucracy in New York. Notice how Marin’s rapid pencil strokes reflect a dynamic engagement with the industrial revolution, a nod to societal infrastructure, and a focus on manual skill. Editor: But those trees framing the building! They feel more alive, more substantial than the cold stone and steel. They almost seem to whisper stories that the building is too stoic to tell. The way the light filters, it's truly amazing...almost hopeful! Curator: Consider the context. Marin's urban landscapes were part of a broader movement questioning traditional artistic subjects, focusing instead on capturing the modern city's pulse through impressionistic techniques. It’s a commentary on the very nature of early 20th century industrial and political power conveyed through a seemingly informal medium like pencil on paper. Editor: Hmm...maybe. Still, there's a raw energy in this drawing, it feels unfinished, but that's precisely what makes it so alive. It breathes. Do you agree, or am I projecting some wishful, personal fantasy onto this pencil work? Curator: Perhaps it is that incomplete aspect, that air of immediacy, which reflects the broader ethos of early modernist production techniques. The drawing exists, as a thing itself—pencil, paper, hand, eye, all contributing labor to the documentation of civic labor on a grand scale. Editor: Yes, it certainly embodies labor on different levels and perspectives. Okay. Point taken. I suppose I’m left admiring both Marin's process, as you call it, and also, unexpectedly, New York's unwavering pursuit of progress, as imperfect as the whole messy endeavor may be!

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.