Portrait of Edward VI (1537-53), the future king of England, as a child 17th century

Editor: This petite portrait from the 17th century depicts a very young Edward VI, future King of England. It’s made with oil paint and tempera and is almost jewel-like. I’m struck by the formality given the age of the sitter, he's still just a baby! What catches your eye when you look at this? Curator: Ah, it whispers stories, doesn't it? Beyond the obvious – the exquisite detail rendered despite its small scale – I'm drawn to the vulnerability. Think about the burden this tiny human already carries. The soft, almost cherubic features are juxtaposed against the stark regality of his attire. Does he look frightened to you? Perhaps the artist was subtly hinting at the pressures Edward would soon face? Or perhaps, it’s just my imagination running wild – as art is meant to ignite! Editor: Frightened! I hadn’t considered that, but I can see what you mean. He does look serious beyond his years. Almost like he’s been told to sit still and is trying his best. Curator: Exactly! And consider the intimacy implied. A miniature portrait like this was often a deeply personal object, meant to be held, cherished, perhaps even kept secret. So what does it reveal about those closest to the young king? Was it intended for a doting mother, a trusted advisor? I would say we are invited to engage with this person beyond just “the future King." Editor: That's such a good point – it becomes less about the future monarch, and more about Edward, the child. It's funny how shifting your perspective even slightly changes the entire feeling of the piece. Curator: Precisely! The magic of art lies in its layers, its capacity to reflect not just an image, but a whole tapestry of emotions, history, and human connection. That tiny painting really makes you feel, right? Editor: Absolutely. It makes me want to delve even deeper.