Flywhisk by Bamileke

Flywhisk c. 20th century

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assemblage, sculpture

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african-art

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assemblage

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folk art

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folk-art

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sculpture

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beaded

Dimensions: 49 1/2 x 7 1/4 x 3 3/16 in. (125.7 x 18.4 x 8.1 cm)

Copyright: Public Domain

Curator: I see a Bamileke Flywhisk, likely from the 20th century. The craftsmanship is captivating—an assemblage featuring intricate beadwork. Editor: It's beautiful, almost mesmerizing with the layers of beads! It seems like it might have had an important function, with that regal looking beaded animal figure at the top. How do you interpret this work? Curator: The flywhisk transcends mere decoration; it signifies power and authority within the Bamileke culture. Beadwork itself holds immense symbolic weight. It reflects status, community identity, and even spiritual connections. We should think about what those beads might signify—are there color palettes specific to certain clans or power structures, what does the animal signify, and why would the user of the flywhisk want these things expressed? Editor: That's fascinating. I hadn't considered the specific cultural significance of the beadwork. It seems less about aesthetics and more about communicating power structures? Curator: Precisely! The flywhisk would likely be held by someone of high social standing, visually embodying their authority. This challenges Western art historical notions that often separate art from social function. This is inherently activist! The artist and user of this whisk assert an identity and make an unmistakable political statement. Do you see parallels with other cultural objects that blend artistry and social messaging? Editor: Now that you mention it, yes! I’m thinking about how certain textiles or jewelry can symbolize resistance or cultural pride within specific communities. Curator: Exactly. By examining this flywhisk through an intersectional lens, we recognize its place within broader narratives of identity, power, and cultural expression. It's far more than a decorative object, wouldn't you agree? Editor: I completely agree. I see how it acts as a powerful statement. I’ll never look at beadwork the same way! Curator: That's the beauty of engaging with art in this manner - to broaden perspectives and question preconceived notions. It certainly expanded mine too.

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