Miss Albani, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes by W. Duke, Sons & Co.

Miss Albani, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes 1890 - 1895

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drawing, print, photography

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portrait

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drawing

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print

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photography

Dimensions: Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm)

Copyright: Public Domain

Curator: Let’s turn our attention to this intriguing piece from around 1890 to 1895, “Miss Albani” as it’s titled. The profile is credited to W. Duke, Sons & Co. who produced this image as a promotional card for their Duke Cigarettes. Editor: The first thing that strikes me is how the sepia tone lends a melancholic air, a whisper from the past. The soft focus almost dissolves the subject, making her feel dreamlike, an apparition. Curator: Yes, and note how the photographic print, designed for mass consumption as advertisement, flattens the subject onto the plane. There’s very little depth to be found here, the background and subject seem to meld, creating a unified, if faded, surface. The tonality contributes to that flatness, obscuring contrast. Editor: But think about the choice of flowers she holds. Their haziness gives the bouquet a will-o'-the-wisp quality. In Victorian culture, flowers carried intricate meanings. Might those specific blooms offer insight into her character or perhaps symbolize her stage roles? There's a coded language at play. Curator: Possibly, though one wonders how deliberately coded the Duke company was being with ephemeral advertisement. I agree, however, that it adds layers to her persona. We're looking at artifice built upon artifice; portraiture of an actress circulated to promote a very addictive product. This layering complicates the image’s intentionality. Editor: Absolutely, her dress also appears to hint at performance costume, it feels ornate. It is meant to present not only Miss Albani as an actress, but what being an actress signified during that time. Glamour, prestige, and, of course, visibility, because who knows how many of these prints existed! Curator: An excellent point. Thinking about it as both promotional material and portraiture broadens our understanding of late 19th-century visual culture and of commercialism itself. The convergence highlights the interwoven relationship between entertainment, identity, and industry at that moment. Editor: For me, the image still carries the weight of a bygone era, hinting at the hidden meanings embedded in beauty and performance. Curator: While for me, the composition itself lays bare the function of early commercialized media within popular culture.

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