print, photography, gelatin-silver-print
portrait
impressionism
figuration
photography
gelatin-silver-print
academic-art
nude
Dimensions: image: 20.8 × 35 cm (8 3/16 × 13 3/4 in.) sheet: 47.8 × 60.4 cm (18 13/16 × 23 3/4 in.)
Copyright: National Gallery of Art: CC0 1.0
Eadweard Muybridge made this photographic study, ‘Plate Number 129. Descending stairs’ using collodion silver, a process that captures images on glass plates. Muybridge wasn’t just making art; he was intervening in a scientific debate. Leland Stanford, a racehorse owner, hired him to prove that all four of a horse’s hooves leave the ground at once when galloping. Stanford believed this was true, and that he could win bets if the fact could be visualized. Muybridge’s method involved a battery of cameras triggered in sequence to capture movement in discrete increments. It wasn't just about recording; it was about dissecting motion, a kind of labor-intensive data visualization. So, the next time you see a photograph, remember it's not just a picture; it's an artifact of labor, technology, and social context. It makes you consider photography's role in shaping our understanding of the world.
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