Geleerde versnijdt een pen in zijn werkkamer 1731 - 1775

Richard Houston created this mezzotint, *Geleerde versnijdt een pen in zijn werkkamer*, capturing a scholar sharpening his quill. The mezzotint process, popular in the 18th century, is all about tone. The artist begins by roughening a copper plate with a tool called a rocker, creating a field of tiny burrs that would print as solid black. The image is then created by selectively burnishing or scraping away these burrs to create lighter tones. This allows for rich, velvety blacks and subtle gradations of light, as you can see in the scholar's dimly lit workspace. Consider the labor involved: first, the arduous task of preparing the plate, then the careful, controlled scraping to reveal the image. Mezzotint was valued for its capacity to reproduce paintings, making art more accessible. Yet, it also demanded a high level of skill and time. By appreciating the artistry of the mezzotint process, we can move beyond traditional hierarchies of art, recognizing the value and skill embedded in printmaking.