The Holkham bust of Thucydides, a study in Greek iconography 1878

Adolf Michaelis's "The Holkham Bust of Thucydides, a Study in Greek Iconography" is rendered in print, likely during the late 19th century, evidenced by the inscription 'Cambridge: Printed for Private Circulation at the University Press, 1878.' The physical attributes of this book, from the paper stock to the printing methods, offer insights into the social and cultural context of its production. The choice of typeface, the layout of the text, and the quality of the photographic reproduction speak to the values and priorities of the academic circles for which it was intended. We can see the care taken in its design. Consider the labor involved in its creation: the papermakers, typesetters, printers, and binders, each contributing their skills to the final product. This book wasn't merely an object of intellectual pursuit but a testament to the collaborative efforts of countless individuals. By examining the material conditions of its production, we gain a deeper understanding of its significance within the broader landscape of cultural and intellectual exchange.