The Adoration of Krishna by Anonymous

The Adoration of Krishna c. 1700

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painting, watercolor

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painting

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asian-art

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landscape

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folk art

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figuration

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mural art

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watercolor

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naive art

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wall painting

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painting art

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miniature

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watercolor

Dimensions: 7 1/2 x 10 5/8 in. (19.05 x 26.99 cm)

Copyright: Public Domain

This vibrant watercolor, “The Adoration of Krishna,” was created by an anonymous artist. Its intimate scale suggests it might have been a page in a larger manuscript intended for private devotion. The painting invites us into a world shaped by the Bhakti movement, a medieval phenomenon emphasizing intense emotional devotion, often expressed through music, dance, and art. Here, Krishna isn't just a deity; he's an intimate friend and lover. Notice how the painting is organized into horizontal registers, each teeming with figures engaged in acts of worship and revelry. The lush landscapes and the wheel of seated figures suggest communal celebrations and a deep connection to nature. The cows at the bottom are symbolic of the pastoral setting of Krishna’s early life. This work provides a window into a society where religious expression was deeply intertwined with daily life, shaping social bonds, artistic creation, and personal identity. It serves as a testament to the enduring power of art to visualize and embody spiritual experiences.

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Comments

minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

The Bhagavata Purana (The Ancient Story of the Blessed One) is the most frequently depicted Sanskrit chronicle of Vishnu, the great preserver. One of his eight incarnations is Krishna, the blue-skinned hero being worshipped here. In the extreme upper-left corner of this compartmentalized painting is a four-headed figure of Brahma, the creator. Adjacent to this, disciples are seated with Krishna in a forest setting. Farther to the right, Krishna is shown at a different time alone in the forest. The central register illustrates Krishna and his devotees to the left and the same god standing before Brahma on the right. The lower register shows Krishna with disciples and a herd of cows in combination with a circular tondo, or medallion, filled with seven seated priests. The device of compartmentalization allowed artists to illustrate the main hero of a story line at different times and places--the same way cartoonists draw comic strips today.

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