print, engraving
baroque
history-painting
engraving
Dimensions: height 302 mm, width 380 mm, height 311 mm, width 411 mm
Copyright: Rijks Museum: Open Domain
Curator: This engraving is a detailed depiction titled "Kaart van de slag bij Landen, 1693," created anonymously in, well, 1693. It offers a bird's-eye view of the Battle of Landen. What jumps out at you? Editor: Immediately, I'm struck by the density of it all, those tightly packed symbols. It gives me a sense of controlled chaos, like peering down at an anthill teeming with life—or, in this case, conflict. A very neat, organized conflict, of course. Curator: Precisely! These battle maps served not just as records but also as tools of power. They helped disseminate strategic information and construct specific narratives about battles. Note the clear lines denoting troop movements. Editor: Yes, and there's something undeniably beautiful in the precision of the lines, the almost obsessive attention to detail. It’s an aestheticization of war. Do you think it made the reality of battle easier to digest for the audiences back then? Curator: Undoubtedly. By translating the gruesome reality into a legible plan, these maps transform a chaotic event into something comprehensible and even visually appealing. Editor: It also presents a particular viewpoint, a God's eye view that no one on the battlefield could ever experience. It is this perspective of knowing, organizing and totalizing vision that is fascinating. Curator: Indeed. Consider the role these maps played in shaping public perception. By showing the battlefield in this orderly fashion, were they designed to downplay the mess and brutality of warfare? Editor: Well, it reminds us that history is never neutral. Even a seemingly objective map like this serves as an instrument of political interpretation, an artifact that encodes power. Curator: Ultimately, an attempt to capture the complexities of conflict through the lens of strategic control and, perhaps, to present it as less chaotic, brutal, or morally ambiguous than it truly was. Editor: An image which helps us to meditate upon how we process, create, and manipulate information of historical value.
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