mixed-media, print, photography
portrait
mixed-media
folk art
photography
decorative-art
mixed media
decorative art
Dimensions: height 196 mm, width 368 mm
Copyright: Rijks Museum: Open Domain
Editor: This mixed-media work, “Drie portretten van vrouwen met bloemen,” created sometime between 1900 and 1930, presents three distinct photographic portraits within a decorative frame, a collection almost like a series of antique postcards. Each woman is adorned with flowers. I'm struck by the juxtaposition of the photographic medium with hand-applied color and other added decorative elements. It has a kind of charming, vintage feel. What do you see in this piece? Curator: Well, I'm drawn to the way these portraits tap into deeply rooted symbols of femininity, nature, and prosperity. Consider the floral motifs— historically, flowers aren’t just pretty adornments; they represent the ephemerality of life, beauty, and often, coded messages of love and affection. The mixed media approach itself – the layering of photography with perhaps hand-tinted colour or applied decoration - amplifies this. What about the phrase "Je porte bonheur!" emblazoned alongside the first portrait? What emotions do you interpret from its cultural placement next to those luck symbols? Editor: It feels very intentionally hopeful, a combination of a New Year's greeting, a good luck charm, and these symbols feels deliberate. A constructed sentiment? Curator: Precisely. It’s a careful construction of desired impressions. How might this series have served as a projection of idealised womanhood, domesticity, and good fortune during this time? Think about the burgeoning consumer culture and postcard exchange as means of self-expression in the early 20th century. Editor: I guess it's interesting how these little snapshots tell a bigger story about the values of the era. I hadn’t considered them in terms of constructing a narrative. Curator: Exactly! And recognising this gives these "portraits" another layer of significance, where those recurring themes - blooms, blessings and beauty are arranged purposefully. They function not just as likenesses, but as carriers of social aspiration. Editor: This makes me think about how the symbolism in images continues to evolve and be re-interpreted over time. Thanks! Curator: It's a good reminder to see how persistent our need is to imprint cultural values on imagery!
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