Maria met Kind en engelen after 1595

This is an anonymous engraving of the Virgin and Child with Angels, part of the collection at the Rijksmuseum. The image presents us with a Madonna-like figure, surrounded by cherubic attendants who present gifts to the infant Christ. Here, we see the enduring power of religious imagery in the Netherlands, which at the time would have been undergoing significant religious and social upheaval related to the Reformation. Artists and patrons were forced to navigate complex relationships with religious institutions and the market for art. The proliferation of prints like this one points to the way religious imagery persisted in the domestic sphere. To properly understand the historical context of this work, we would need to delve into the history of printmaking, the social history of religion, and the patronage networks that sustained artistic production during this turbulent period. Art like this provides a window onto the lived realities of those who commissioned, created, and consumed it.