View of Antwerp from Braun and Hogenberg's Civitates Orbis Terrarum 1572 - 1594

Editor: This is "View of Antwerp from Braun and Hogenberg's Civitates Orbis Terrarum" made sometime between 1572 and 1594, currently housed at the Met. It looks to be a mixed-media work – a drawing with colored pencil and ink. The detail is astounding! What strikes me is how much it is about projecting power and prosperity. How would you interpret this piece within its historical context? Curator: Indeed. This image speaks volumes about Antwerp’s self-perception in the late 16th century. Consider, first, that this view comes from a publication intended to showcase the urban centers of the world. Antwerp is presenting itself as a hub of international trade, look at all the ships in the harbor; also of military strength, notice the large fortress and fortifications. But is this depiction entirely objective, or does it serve a purpose? Editor: So, you’re saying that while seemingly documentary, it's also making an argument? Curator: Precisely. It’s carefully crafted imagery, intended to bolster Antwerp’s reputation. Who was the intended audience for these "Civitates Orbis Terrarum," and what effect do you think these city views had? Editor: I imagine powerful merchants and political leaders wanting to appear in and collect these books? I can also imagine civic leaders who wanted to burnish their cities image and attract trade, wanting to contribute to a book like this? Curator: Exactly! The printing press became a political instrument. Think of it as Renaissance propaganda. Editor: This reframes the whole piece for me! I'll definitely be looking at art historical "views" with more skepticism from now on. Thanks for the lesson. Curator: My pleasure. Remember to consider the politics of imagery and representation; how it impacts how we understand the past.