Staal bespanningsstof van linnendamast met motief "Lotos" by Chris Lebeau

Staal bespanningsstof van linnendamast met motief "Lotos" 1911 - 1915

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weaving, textile

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natural stone pattern

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art-nouveau

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weaving

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textile

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pattern background

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pattern design

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ethnic pattern

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geometric

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repetition of pattern

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vertical pattern

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regular pattern

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pattern repetition

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imprinted textile

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layered pattern

Dimensions: height 57.5 cm, width 33.0 cm

Copyright: Rijks Museum: Open Domain

Curator: This is a piece titled "Staal bespanningsstof van linnendamast met motief 'Lotos'," created by Chris Lebeau between 1911 and 1915. It’s currently held in the collection of the Rijksmuseum. Editor: Wow, my first thought is calm, like a soothing cup of herbal tea before bed. It’s got that repeating lotus pattern... it feels very intentional and grounding. The sage green just adds to the peaceful vibe, doesn't it? Curator: Indeed. The choice of the lotus motif is particularly relevant. The lotus often symbolizes purity, spiritual awakening, and rebirth in many Eastern traditions. It reflects Lebeau's interests in symbolism and perhaps a search for meaning during a period of social and political upheaval in Europe. Editor: It’s like he’s imbuing the very fabric with hope and resilience. I’m thinking about how touch must feel...linen has a wonderful weight, and given it's a repeating textile pattern of its kind, this could have had very utilitarian origins in a working class community, where the symbolism of hope might even hold that much more meaning! Curator: Precisely! The linen damask adds another layer of complexity. Damask weaving was often associated with luxury and high-end craftsmanship. To make this available on standard linens reflects a desire to democratize access to beauty, infusing daily life with art. Who has access to art, what function does it play for them, and under which market contexts – these are critical questions! Editor: I dig it! Makes me wanna wrap myself up in it! But it also reminds me that what feels simple and comforting to us now carries the weight of complex artistic, economic, and maybe even class dynamics from over a century ago. We are invited to ponder art as lived history... Curator: Exactly, and perhaps the reason the lotus blooms eternal in artistic representations is the very nature of rebirth: It adapts and re-emerges. Editor: What a trip. It’s just fabric… and so much more. Thanks for unweaving some of that.

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