Linkerhand rustend op een oppervlak 1834 - 1911

Jozef Israëls sketched this left hand resting on a surface with pencil on paper. The hand, a universal symbol of labor, connection, and creativity, is here at rest, its energy dormant. Throughout art history, we see hands depicted in countless ways. Think of the "Hand of God" motif, extending down from the heavens. Here, though, there’s no divine intervention. The hand's form reminds me of the many images across cultures in which hands denote action and consequence. The position of the hand evokes a quiet moment of reflection. It is reminiscent of the gestures of resignation and contemplation found in religious painting, which are in turn rooted in classical sculpture. This posture, while simple, speaks volumes about our shared human experience of weariness, hinting at the unseen labor and weariness of the hand's owner. A hand that has worked, created, and endured. The symbol is both universal and personal.