"Bahram Gur in the Sandal Palace on Thursday", Folio 230 from a Khamsa (Quintet) of Nizami of Ganja 1500 - 1550
tempera, painting
narrative-art
tempera
painting
figuration
islamic-art
miniature
Dimensions: Painting: H. 7 13/16 in. (19.8 cm) W. 4 5/8 in. (11.7 cm) Page: H. 12 5/8 in. (32.1 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm)
Copyright: Public Domain
This is a painting of "Bahram Gur in the Sandal Palace on Thursday", a folio from a Khamsa, or Quintet, by Nizami of Ganja. Created sometime before Nizami’s death in 1209, the painting reflects the rich cultural and artistic traditions of its time. The painting depicts Bahram Gur, a legendary Persian king, in a moment of courtly leisure. Seated in an elevated palace, he is attended by female figures, reflecting the roles and representations of women in Persian court culture. The scene presents a gendered space where women are both present and potentially subordinate within the courtly structure. The architecture and ornamentation underscore the cultural identity of the Persian court. The rich colors, intricate patterns, and use of gold suggest a world of opulence and refinement, and a sense of the cultural values of the time. The artist's attention to detail draws us into the scene, inviting us to contemplate the human dynamics within the court. In exploring themes of power, gender, and cultural identity, this work provides insight into the societal values and artistic conventions that continue to resonate today.
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