Gezicht op de Nieuwezijds Voorburgwal te Amsterdam by Andreas Theodorus Rooswinkel

Gezicht op de Nieuwezijds Voorburgwal te Amsterdam c. 1855 - 1884

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photography

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landscape

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photography

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19th century

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cityscape

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realism

Dimensions: height 107 mm, width 166 mm

Copyright: Rijks Museum: Open Domain

Curator: This albumen print, created sometime between 1855 and 1884 by Andreas Theodorus Rooswinkel, offers us a view of the Nieuwezijds Voorburgwal in Amsterdam. Editor: It’s wonderfully still. That reflecting water creates a sense of timelessness. Are those early automobiles parked along the canal? A few solitary figures sit with their backs toward the camera, giving the whole scene an aura of quietude and privacy. Curator: Well, I think those figures you spotted along the canalside embody the rise of bourgeois leisure, making use of new urban amenities. What I see is a conscious performance of public life in the age of photography, playing out in Amsterdam, a city undergoing tremendous social changes. Editor: Right. Amsterdam as a stage for this emerging middle class… And look how carefully Rooswinkel has captured the light hitting the brick facades! It's almost dreamlike in its hazy focus. Is there symbolism in choosing to focus so acutely on buildings while leaving out much movement on the canal itself? Curator: Perhaps. The stillness speaks to a deliberate staging—Rooswinkel uses buildings to connote enduring national values through solid structures, even as city life evolves and those leisure opportunities appear. These aren't just homes. They're monuments representing civic duty and mercantile history, with windows forming geometric shapes as indicators of ordered society. Editor: I like the idea of visual symbols here representing the enduring Dutch values. In an era of upheaval and industrial progress, it’s fascinating how the camera captures a desire for equilibrium. Even though new money and ideas flowed through Amsterdam, some stability and order remained. This photograph speaks of nostalgia perhaps, a memory frozen and passed down over time. Curator: It really puts the public role of images front and centre, as images create that enduring visual shorthand to the social order in the Netherlands. Editor: It makes you think about how photographs, especially then, create stories about places and communities we continue to inherit, and how that interplay between subject and camera plays on today's collective consciousness. Curator: Precisely. The image reveals just how the symbols and structures within art transmit social values through history. Editor: An image offering some quiet contemplation for us today!

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