Gian Lodovico Battaglia [obverse] c. 1550

Danese Cattaneo created this bronze medal of Gian Lodovico Battaglia in the 16th century. During the Renaissance, portrait medals gained popularity as symbols of individual achievement and status, yet the intimacy of their scale allowed for personal expression. This medal exemplifies the ways in which powerful men sought to immortalize themselves. The sharp, detailed profile captures Battaglia’s likeness, while the classical drapery alludes to his status and education. The inscription of his name emphasizes his identity, intended for circulation amongst his peers and descendants. What does it mean to preserve one's image for posterity, especially when that image is carefully constructed? What aspects of identity are highlighted, and what is left out? This medal invites us to consider the choices made in representing oneself and the power dynamics inherent in portraiture.