Maskerade van de Utrechtse studenten, 1846 (plaat 10) 1847

Carel Christiaan Antony Last created this print, titled "Masquerade of the Utrecht Students," in 1846 using lithography. This printmaking process relies on the chemical repulsion of oil and water. The artist draws on a stone or metal plate with a greasy crayon, then applies ink that adheres only to the drawing. The image shows a procession of students in costume, mimicking a religious ceremony. The sharp lines and tonal variations possible in lithography capture the texture of the fabrics and the solemn atmosphere of the scene. The work's visual appeal is inextricably linked to the lithographic process. Lithography, as a relatively inexpensive method of reproduction, democratized image-making, enabling wider distribution and consumption of art. Last's choice of this medium suggests an intention to circulate this satirical depiction of student life, engaging with wider social commentary and questioning academic traditions. By understanding the material and method behind this print, we appreciate its role in shaping cultural discourse, challenging traditional distinctions between art and social critique.