Christus neemt afscheid van Maria by Nederland) Monogrammist L (graveur

Christus neemt afscheid van Maria 1500 - 1510

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print, engraving

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medieval

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narrative-art

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print

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old engraving style

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figuration

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history-painting

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northern-renaissance

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engraving

Copyright: Rijks Museum: Open Domain

Curator: This engraving, likely created between 1500 and 1510 by the artist known as Monogrammist L, is titled *Christus neemt afscheid van Maria*—Christ's farewell to Mary. What are your first thoughts? Editor: It has an almost somber feel, despite the activity. The composition, the way the artist packed figures into this circular frame, makes it seem dense and heavy. I wonder what that signifies in terms of production—perhaps small engravings were made with great intention because materials were rare? Curator: It is tempting to perceive melancholy in the bowed heads and heavy drapery. But remember, this scene is laden with complex meaning. Christ's departure isn't merely an ending, but a prelude. His humility—seen in his bare feet—mirrors Mary’s devout grief. Every element foreshadows the Resurrection. Editor: So, the material conditions, and choices like simplifying forms through engraving, do seem to amplify the symbolic narrative—the lack of color allows focus on essential gesture. Do we know anything about the engraving techniques of Monogrammist L, or where this may have been produced? Was this image created to spread religious ideas or sell devotional art? Curator: Those are fascinating and critical questions. While details on Monogrammist L remain sparse, prints such as these definitely facilitated wider access to religious imagery beyond church walls. Consider the dissemination of devotion this permitted—think of these not as merely works of "art" in the modern sense, but vehicles for faith. The symbols and biblical scenes engraved would prompt deep emotional and spiritual reactions in the everyday lives of regular people. Editor: It's amazing how a humble print can contain so much history. To think about the communities implicated in image creation, and their subsequent emotional and spiritual experiences that such small objects were created for... that connects us to their lived experience. Curator: Precisely. This engraving exemplifies the enduring power of visual symbols to convey faith and touch souls across centuries. It is a small picture loaded with layers of emotion and theology.

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